Ian Pattison, on how writing Rab C Nesbitt is more lucrative than crime fiction.
Why, Philip Kerr? Why? Well, there's one film I won't be going to see, anyway.
John Buchan's The 39 Steps a comedy thriller?
Louise Welsh in Iowa City on Sunday, Ian Rankin at the Aberfeldy Festival, Denise Mina in Berlin next February (sometimes I wish I was a famous writer rather than an obscure one). And Val McDermid and Alexander McCall Smith at the Dundee Literary Festival.
Lots of stuff about Alexander McCall Smith today.
Ewan McGregor on Irvine Welsh's TRAINSPOTTING.
Ken Hebenstreit pronounces Chris Ewan "not in the best of shape" but marvellous despite that.
Hmmmmmmm, I might have to subscribe to the Ayrshire Post so that I can get the new Tony Black early.
He's not Scottish, but here's a great interview with one of my favourite authors (and all round lovely man) Ken Bruen.
And, finally, the utterly brilliant (and totally bonkers) Douglas Lindsay on 'lugzhury'.
Showing posts with label ken bruen. Show all posts
Showing posts with label ken bruen. Show all posts
Thursday, 6 October 2011
Monday, 16 November 2009
Some Well-Deserved Good Words
A rather spiffing review of Helen FitzGerald's BLOODY WOMEN which says, in part "So this novel has it all – thriller, drama, whodunit, comedy, great characters and good humour."
And Brian over at BSC Review reviews Allan Guthrie's SLAMMER, saying "When we speak of those on the forefront of dark fiction; those whose work scares people at a fundamental level; and those whose work we are hard pressed to try to define and pigeon hole, but can’t, Guthrie’s name is near the top of the list, and Slammer proves why." Niiiiiiiiiiiice.
And more reviews - Alexander McCall Smith's THE LOST ART OF GRATITUDE in the Winston-Salem Journal and Iain Banks TRANSITION at Cultural Pilgrim.
In other news - Tony Black - one of my favourite authors - on one of his big influences, (another favourite of mine) Ken Bruen over at the always excellent blog of Paul Brazill. "It wasn't, for me, the story, - not the story alone, anyway - but the sheer power of the writing. It was like being engulfed by a tsunami of talent - a writer with so many skills that the pages, every one of them, contained moments of breathtaking beauty, flights of linguistic gymnastics and...real heart." Totally agree Tony old fruit.
Ian Rankin chooses his 'best books'.
Russel McLean and GJ Moffatt in pictures.
And Brian over at BSC Review reviews Allan Guthrie's SLAMMER, saying "When we speak of those on the forefront of dark fiction; those whose work scares people at a fundamental level; and those whose work we are hard pressed to try to define and pigeon hole, but can’t, Guthrie’s name is near the top of the list, and Slammer proves why." Niiiiiiiiiiiice.
And more reviews - Alexander McCall Smith's THE LOST ART OF GRATITUDE in the Winston-Salem Journal and Iain Banks TRANSITION at Cultural Pilgrim.
In other news - Tony Black - one of my favourite authors - on one of his big influences, (another favourite of mine) Ken Bruen over at the always excellent blog of Paul Brazill. "It wasn't, for me, the story, - not the story alone, anyway - but the sheer power of the writing. It was like being engulfed by a tsunami of talent - a writer with so many skills that the pages, every one of them, contained moments of breathtaking beauty, flights of linguistic gymnastics and...real heart." Totally agree Tony old fruit.
Ian Rankin chooses his 'best books'.
Russel McLean and GJ Moffatt in pictures.
Monday, 2 November 2009
What I Read In October
What a stellar reading month. Some excellent books by old favourites, and a couple of wonderful new finds. One of them was directly because of the author's appearance on a panel at Bouchercon, so for those people who say it's not worth going to conventions, well, this author has gained a new reader who will dash out and buy everything he writes. OK, so it's only me, but...
TOWER - Ken Bruen and Reed Farrel Coleman
Published: 2009
Setting: New York
Protagonist: Nick and Todd
Series?: Standalone
First Lines: 'Griffin coughed blood into my face when I made to slip the chains under his shoulders.'
Nick and Todd grew up together in Brooklyn and their friendship survives to adulthood, where they ease into a life of crime, becoming low level hired hands for Boyle - a nasty piece of work who quotes from the bible. Nick is left stunned when Todd kills someone during a burglary. From there, bonds are tested, things spiral downhill and out of control. The first half of the book is told, by Bruen, from Nick's point of view, and you think you have a clear picture of events - until you read the second half of the book, written by Coleman and told from Todd's point of view. Heart-breaking and stomach-churning, this is an amazing book - a beautifully written book full of brutal lyricism and hardboiled poetry, an unforgettable look at friendship, loyalty, fate, honesty and belief. I loved it, and the ending made me burst into tears on public transport. Consider yourself warned. Two of the best writers writing today.
EMPTY EVER AFTER - Reed Farrel Coleman
Published: 2008
Setting: New York
Protagonist: Moe Prager
Series?: 5th
First Lines: 'We walked through the cemetery, Mr Roth's arm looped through mine. The cane in his left hand tapped out a mournful meter on the ice slicked gravel paths that wound their way through endless rows of gravestones. The crunch and scrape of our footfalls were swallowed up and forgotten as easily as the heartbeats and breaths of all the dead, ever.'
This is the fifth in the Moe Prager series. I didn't think the series could get any better after the fourth one, but it has. And it feels like the end of an arc that takes in the past and present, looking back at Moe's past cases, tying up some loose ends, resolving the unresolved, yet raising more questions. PI Moe Prager investigates a grave-robbing that is very close to home, when the grave of his brother in law is desecrated, setting off a chain of events that has Moe investigating all of his past cases and rethinking the decisions he has made over the years. Coleman shows that life is never a straight line, that things can never be neatly tied up with little bows, and that the past really can come back to haunt you. EMPTY EVER AFTER is all about the ghosts of the past and how some of those ghosts never go away - especially the ones that are the keepers of secrets. Winner of the Shamus Award, and no bloody wonder. Brilliant stuff.
CALUMET CITY - Charlie Newton
Published: 2008
Setting: Chicago
Protagonist: Patti Black
Series?: Standalone/1st
First Lines: 'There's this place in Chinatown. Off Wentworth Avenue in the 25th Ward, where the four-story walkups lean out over the street. Buildings not yet leveled by urban renewal, mattress fires, or debts to the wrong politicians. The kind of neighbourhood that scares people who look too close.'
Charlie Newton's debut novel CALUMET CITY is 400 pages long, but reading it feels like reading a novel half that length. I stayed up late at night, I missed my stop on the bus, I took a few extra minutes in my lunch hour at work. It's a thrills and spills novel that never lets up. Patti Black is a much decorated Chicago police officer who has packed her past away in a sealed box and stuck it in the back of the cupboard where it sits gathering dust - unseen, unopened, but definitely not forgotten. Unfortunately, several apparently unlinked cases threaten to open the box and let the screaming demons out. A superb debut novel that grips you by the throat and refuses to let go. A wonderfully original voice, Patti Black is an excellent character - prickly and tough but also vulnerable and warm. She's a survivor, and survival has made her strong - but it's also come at a price and has taken away as much as it has added. Being in Patti's nightmares is really not a comfortable place to be, and the gradually revealed story of her past is skilfully, intensely and chillingly done. The depiction of Chicago is excellent and all aspects of the city are really brought to life. This is not a happy book and Charlie Newton piles grit and darkness on both his protagonist and his readers. I'm really looking forward to his next.
GO WITH ME - Castle Freeman Jr
Published: 2008
Setting: A small town in rural Vermont
Protagonist: Various
Series?: Standalone
First Lines: 'Midsummer: The long days begin in bright, rising mist and never end. Their hours stretch, they stretch. They stretch to hold everything you can shove into them; they'll take whatever you've got. Action, no action, good ideas, bad ideas, talk, love, trouble, every kind of lie - they'll hold them all.'
When the sheriff of a small Vermont town finds Lillian sitting in her car outside the police station, she tells him that a man called Blackway is stalking her, and he's killed her cat. Everyone knows Blackway, but no-one can do anything about him - including the sheriff. He tells her to go out to the mill, to ask Whizzer where she can find Scotty. Scotty will be able to help her. Only Scotty's not there. So Whizzer sends her off with two extremely unlikely knights in...well, definitely not shining armour. The rest of the story is the tale of the trio looking for Blackway, interspersed with Whizzer and his layabout pals, telling tall tales about the town, and Blackway, wondering whether the girl will come through, and going off into all sorts of digressions. A wonderfully quirky cast of characters. The dialogue is wonderfully alive and witty. Funny yet dark, the book put me in mind of a softer version of Daniel Woodrell crossed with the tales of King Arthur's knights.
WILD WIVES - Charles Willeford
Published: 1956
Setting: San Francisco
Protagonist: PI Jacob Blake
Series?: Standalone
First Lines: 'The rain hit hard at my window. It slowed down to a whisper, then hit hard again.
WILD WIVES is a gutsy novella featuring amoral private eye Jake Blake who takes on a case involving a hot dame who's more than a tad insane. She says that the two thugs shadowing her have been hired by her father to follow her everywhere except the bathroom. Blake is totally unlikeable, the case is suitably scuzzy from the start and the novella is full of sex and sleaze. It should come with the warning "Wash hands after reading." Willeford is a master of dragging hard-boiled through the dirt and this one is no exception. I loved it.
THE CORPSE MOVED UPSTAIRS - Frank Gruber
Published: 1941
Setting: New York
Protagonist: Johnny Fletcher and Sam Cragg
Series?: 7th
First Lines: 'Johnny Fletcher had the key in his hand, but it wasn't necessary to put it in the lock, for the door was slightly ajar.'
Johnny Fletcher and Sam Cragg are dodgy characters, book-salesmen, occasional PIs. Johnny is the quick-thinking, smooth talking charmer; Sam is the big lug who acts as the muscle in the partnership. Johnny and Sam always have an eye out for the main chance - there's always a scheme on the go, always a body or two, and invariably a hot dame. Their main way of earning income is for Sam to show off his strength while Johnny hawks a book called 'Every Man A Samson' which apparently tells you how to be as strong as Sam. In THE CORPSE MOVED UPSTAIRS, Johnny and Sam come back to their regular flophouse in New York, their books in a trunk, waiting for their next scam. Unfortunately, somebody thinks their trunk is the ideal place to dump a dead body. Wisecracks, good fun, a fast-paced plot and some endearing and entertaining characters. If you like Richard S Prather's Shell Scott series, you'd like this, I think.
TOWER - Ken Bruen and Reed Farrel Coleman
Published: 2009
Setting: New York
Protagonist: Nick and Todd
Series?: Standalone
First Lines: 'Griffin coughed blood into my face when I made to slip the chains under his shoulders.'
Nick and Todd grew up together in Brooklyn and their friendship survives to adulthood, where they ease into a life of crime, becoming low level hired hands for Boyle - a nasty piece of work who quotes from the bible. Nick is left stunned when Todd kills someone during a burglary. From there, bonds are tested, things spiral downhill and out of control. The first half of the book is told, by Bruen, from Nick's point of view, and you think you have a clear picture of events - until you read the second half of the book, written by Coleman and told from Todd's point of view. Heart-breaking and stomach-churning, this is an amazing book - a beautifully written book full of brutal lyricism and hardboiled poetry, an unforgettable look at friendship, loyalty, fate, honesty and belief. I loved it, and the ending made me burst into tears on public transport. Consider yourself warned. Two of the best writers writing today.
EMPTY EVER AFTER - Reed Farrel Coleman
Published: 2008
Setting: New York
Protagonist: Moe Prager
Series?: 5th
First Lines: 'We walked through the cemetery, Mr Roth's arm looped through mine. The cane in his left hand tapped out a mournful meter on the ice slicked gravel paths that wound their way through endless rows of gravestones. The crunch and scrape of our footfalls were swallowed up and forgotten as easily as the heartbeats and breaths of all the dead, ever.'
This is the fifth in the Moe Prager series. I didn't think the series could get any better after the fourth one, but it has. And it feels like the end of an arc that takes in the past and present, looking back at Moe's past cases, tying up some loose ends, resolving the unresolved, yet raising more questions. PI Moe Prager investigates a grave-robbing that is very close to home, when the grave of his brother in law is desecrated, setting off a chain of events that has Moe investigating all of his past cases and rethinking the decisions he has made over the years. Coleman shows that life is never a straight line, that things can never be neatly tied up with little bows, and that the past really can come back to haunt you. EMPTY EVER AFTER is all about the ghosts of the past and how some of those ghosts never go away - especially the ones that are the keepers of secrets. Winner of the Shamus Award, and no bloody wonder. Brilliant stuff.
CALUMET CITY - Charlie Newton
Published: 2008
Setting: Chicago
Protagonist: Patti Black
Series?: Standalone/1st
First Lines: 'There's this place in Chinatown. Off Wentworth Avenue in the 25th Ward, where the four-story walkups lean out over the street. Buildings not yet leveled by urban renewal, mattress fires, or debts to the wrong politicians. The kind of neighbourhood that scares people who look too close.'
Charlie Newton's debut novel CALUMET CITY is 400 pages long, but reading it feels like reading a novel half that length. I stayed up late at night, I missed my stop on the bus, I took a few extra minutes in my lunch hour at work. It's a thrills and spills novel that never lets up. Patti Black is a much decorated Chicago police officer who has packed her past away in a sealed box and stuck it in the back of the cupboard where it sits gathering dust - unseen, unopened, but definitely not forgotten. Unfortunately, several apparently unlinked cases threaten to open the box and let the screaming demons out. A superb debut novel that grips you by the throat and refuses to let go. A wonderfully original voice, Patti Black is an excellent character - prickly and tough but also vulnerable and warm. She's a survivor, and survival has made her strong - but it's also come at a price and has taken away as much as it has added. Being in Patti's nightmares is really not a comfortable place to be, and the gradually revealed story of her past is skilfully, intensely and chillingly done. The depiction of Chicago is excellent and all aspects of the city are really brought to life. This is not a happy book and Charlie Newton piles grit and darkness on both his protagonist and his readers. I'm really looking forward to his next.
GO WITH ME - Castle Freeman Jr
Published: 2008
Setting: A small town in rural Vermont
Protagonist: Various
Series?: Standalone
First Lines: 'Midsummer: The long days begin in bright, rising mist and never end. Their hours stretch, they stretch. They stretch to hold everything you can shove into them; they'll take whatever you've got. Action, no action, good ideas, bad ideas, talk, love, trouble, every kind of lie - they'll hold them all.'
When the sheriff of a small Vermont town finds Lillian sitting in her car outside the police station, she tells him that a man called Blackway is stalking her, and he's killed her cat. Everyone knows Blackway, but no-one can do anything about him - including the sheriff. He tells her to go out to the mill, to ask Whizzer where she can find Scotty. Scotty will be able to help her. Only Scotty's not there. So Whizzer sends her off with two extremely unlikely knights in...well, definitely not shining armour. The rest of the story is the tale of the trio looking for Blackway, interspersed with Whizzer and his layabout pals, telling tall tales about the town, and Blackway, wondering whether the girl will come through, and going off into all sorts of digressions. A wonderfully quirky cast of characters. The dialogue is wonderfully alive and witty. Funny yet dark, the book put me in mind of a softer version of Daniel Woodrell crossed with the tales of King Arthur's knights.
WILD WIVES - Charles Willeford
Published: 1956
Setting: San Francisco
Protagonist: PI Jacob Blake
Series?: Standalone
First Lines: 'The rain hit hard at my window. It slowed down to a whisper, then hit hard again.
WILD WIVES is a gutsy novella featuring amoral private eye Jake Blake who takes on a case involving a hot dame who's more than a tad insane. She says that the two thugs shadowing her have been hired by her father to follow her everywhere except the bathroom. Blake is totally unlikeable, the case is suitably scuzzy from the start and the novella is full of sex and sleaze. It should come with the warning "Wash hands after reading." Willeford is a master of dragging hard-boiled through the dirt and this one is no exception. I loved it.
THE CORPSE MOVED UPSTAIRS - Frank Gruber
Published: 1941
Setting: New York
Protagonist: Johnny Fletcher and Sam Cragg
Series?: 7th
First Lines: 'Johnny Fletcher had the key in his hand, but it wasn't necessary to put it in the lock, for the door was slightly ajar.'
Johnny Fletcher and Sam Cragg are dodgy characters, book-salesmen, occasional PIs. Johnny is the quick-thinking, smooth talking charmer; Sam is the big lug who acts as the muscle in the partnership. Johnny and Sam always have an eye out for the main chance - there's always a scheme on the go, always a body or two, and invariably a hot dame. Their main way of earning income is for Sam to show off his strength while Johnny hawks a book called 'Every Man A Samson' which apparently tells you how to be as strong as Sam. In THE CORPSE MOVED UPSTAIRS, Johnny and Sam come back to their regular flophouse in New York, their books in a trunk, waiting for their next scam. Unfortunately, somebody thinks their trunk is the ideal place to dump a dead body. Wisecracks, good fun, a fast-paced plot and some endearing and entertaining characters. If you like Richard S Prather's Shell Scott series, you'd like this, I think.
Thursday, 30 July 2009
What I Read In July
KILLING MUM - Allan Guthrie
Published: 2009
Setting: Edinburgh
Protagonist: Carlos Morales
Series?: Standalone
First Lines: 'The padded envelope contained a note and a bundle of cash.'
Small, but perfectly formed, that's Al Guthrie for you.This is one of the splendid series of novellas published by Five Leaves. Ladies, you too can own a nifty, handbag sized Allan Guthrie that packs a punch and takes up less room than a pack of important lady things. In KILLING MUM Carlos Morales does odd jobs for people. Several of those odd jobs involve offing people. When Carlos receives a padded envelope one day it's a good news, bad news sort of affair. The good news is that a mystery client will pay him £20,000 to kill Valerie Anderson. The bad news is that Valerie Anderson is his mother. Oh, and there's more bad news. He suspects the woman he loves of being the one who wants his mother dead. Dark, warped and funny, and with a surprising number of twists and turns for such a short book. I read it in one sitting, alternately giggling and gasping. Strangely enough I had a whole train carriage to myself by the end of it. Loved it. Loved it. Loved it.
GUN - Ray Banks
Published: 2008
Setting: Newcastle
Protagonist: Richie
Series?: Standalone
First Lines: ''Course, when he thought back on it, it was all Goose's fault. He was the one gave him the job in the first place.'
Another great Crime Express novella from Five Leaves. Richie is 18 and has recently been released from jail where he spent eighteen months for ABH, doing a job for local drug dealer, Goose. And if he'd given up Goose to the police, he might not have spent as long inside. Richie's girlfriend Becka wants him to get a proper job, and he's planning to, but he needs to make some money and working for a drug dealer pays well. So he agrees to go and pick up a gun - a nice simple task...only it's not. From the moment you find out that Goose doesn't even remember Richie - which makes Richie's stint in jail even more pointless - everything has a hopeless inevitability about it. Brutal and heartbreaking. Petty criminals and their grim, futile lives - bloody brilliant stuff. Ray Banks is one hell of a writer.
ONCE WERE COPS - Ken Bruen
Published: November 2008
Setting: New York
Protagonist: Matthew Patrick O'Shea
Series?: Standalone
First Lines: 'Where do I begin? Wasn't that like a song? And a pretty fucking bad one.'
Matthew O'Shea (known as Shea (and called Michael on the inside flap of the book!)) is an Irish policeman. Right at the start he tells us he's a split personality - a good cop/bad cop thing. Well, he's wrong. He's bad cop/worse cop. From time to time he zones out, to a place "covered in ice and fierceness." When he's in that place he does bad things - very bad things. Many of them involving women with beautiful long necks. He manages to get picked as part of an exchange program to go to New York, where he is teamed up with Kebar - a brutal and unstable cop whose partners either get hurt or ask to be transferred. Brrrrrrrr. Shea is one of the most chillingly psychopathic characters it has ever been my pleasure to meet. In fact, there are more than a couple of stone cold characters in this book. And Ken Bruen is brilliant at making monsters palatable. You might not like his characters, but you sure as hell want to find out what happens to them. His writing is lyrical, brutal and ferocious.
TELL ME NO SECRETS - Julie Corbin
Published: 2009
Setting: A small Scottish village on the east coast of Scotland
Protagonist: Grace
Series?: Standalone
First Lines: 'They say that everybody has a secret. For some it's a stolen extramarital kiss on a balmy evening after two or three glasses of wine. For others it's that girl, teased mercilessly about the shape of her nose or the whine in her voice until she has to move school. Some of us, though, keep secrets that make liars of our lives.'
Grace, her husband Paul and their twin teenage daughters have a seemingly idyllic life in a beautiful village on the Scottish coast. But there are undercurrents and lies in this peaceful setting. Grace has been keeing a secet for the last twenty years and a phone call from an old friend threatens to destroy her happiness and that of those closest to her. Grace's secret involves Rose - a girl who was nine years old when she died. A very promising debut that hooks you in. I didn't particularly feel close to any of the characters, and I couldn't warm to Grace, but I stayed up way past my bedtime to find out what happened to her, and to Rose. A well written, atmospheric and frosty psychological thriller.
DAVID'S REVENGE - Hans Werner Kettenbach
Published: 1994
Setting: Germany
Protagonist: Christian Kestner
Series?: Standalone
First Lines: 'Ninoshvili's letter has made me curiously uneasy. It's ridiculous, but I felt something like a presentiment of disaster at the mere sight of the dingy grey envelope when I came home today after teaching five tedious lessons and found it lying on the hall table.'
Christian Kestner - school-teacher, husband, father, and bit of a smug git - has his life thrown into a spin when David Ninoshvili announces in a letter that he will be arriving from Georgia for a visit. Christian visited Georgia seven years before, when it was under Soviet rule, and enjoyed Ninoshvili's hospitality. And he almost enjoyed Ninoshvili's wife. With increasingly caustic paranoia, Christian worries why David is coming - is he a Georgian spy? Does he have anything on Christian? Is he going to be seeking political asylum? Does he want revenge for Christian's almost dalliance with his wife? And when David arrives and starts to charm Christian's wife and son, Ralf(even more galling since Christian and his son have been growing apart due to Ralf's seeming involvement with a right wing group), Christian's worries increase ten-fold. Nationalism, espionage, racism, politics, morality, suspicion - huge themes, investigated within a prosaic middle-class setting.
Published: 2009
Setting: Edinburgh
Protagonist: Carlos Morales
Series?: Standalone
First Lines: 'The padded envelope contained a note and a bundle of cash.'
Small, but perfectly formed, that's Al Guthrie for you.This is one of the splendid series of novellas published by Five Leaves. Ladies, you too can own a nifty, handbag sized Allan Guthrie that packs a punch and takes up less room than a pack of important lady things. In KILLING MUM Carlos Morales does odd jobs for people. Several of those odd jobs involve offing people. When Carlos receives a padded envelope one day it's a good news, bad news sort of affair. The good news is that a mystery client will pay him £20,000 to kill Valerie Anderson. The bad news is that Valerie Anderson is his mother. Oh, and there's more bad news. He suspects the woman he loves of being the one who wants his mother dead. Dark, warped and funny, and with a surprising number of twists and turns for such a short book. I read it in one sitting, alternately giggling and gasping. Strangely enough I had a whole train carriage to myself by the end of it. Loved it. Loved it. Loved it.
GUN - Ray Banks
Published: 2008
Setting: Newcastle
Protagonist: Richie
Series?: Standalone
First Lines: ''Course, when he thought back on it, it was all Goose's fault. He was the one gave him the job in the first place.'
Another great Crime Express novella from Five Leaves. Richie is 18 and has recently been released from jail where he spent eighteen months for ABH, doing a job for local drug dealer, Goose. And if he'd given up Goose to the police, he might not have spent as long inside. Richie's girlfriend Becka wants him to get a proper job, and he's planning to, but he needs to make some money and working for a drug dealer pays well. So he agrees to go and pick up a gun - a nice simple task...only it's not. From the moment you find out that Goose doesn't even remember Richie - which makes Richie's stint in jail even more pointless - everything has a hopeless inevitability about it. Brutal and heartbreaking. Petty criminals and their grim, futile lives - bloody brilliant stuff. Ray Banks is one hell of a writer.
ONCE WERE COPS - Ken Bruen
Published: November 2008
Setting: New York
Protagonist: Matthew Patrick O'Shea
Series?: Standalone
First Lines: 'Where do I begin? Wasn't that like a song? And a pretty fucking bad one.'
Matthew O'Shea (known as Shea (and called Michael on the inside flap of the book!)) is an Irish policeman. Right at the start he tells us he's a split personality - a good cop/bad cop thing. Well, he's wrong. He's bad cop/worse cop. From time to time he zones out, to a place "covered in ice and fierceness." When he's in that place he does bad things - very bad things. Many of them involving women with beautiful long necks. He manages to get picked as part of an exchange program to go to New York, where he is teamed up with Kebar - a brutal and unstable cop whose partners either get hurt or ask to be transferred. Brrrrrrrr. Shea is one of the most chillingly psychopathic characters it has ever been my pleasure to meet. In fact, there are more than a couple of stone cold characters in this book. And Ken Bruen is brilliant at making monsters palatable. You might not like his characters, but you sure as hell want to find out what happens to them. His writing is lyrical, brutal and ferocious.
TELL ME NO SECRETS - Julie Corbin
Published: 2009
Setting: A small Scottish village on the east coast of Scotland
Protagonist: Grace
Series?: Standalone
First Lines: 'They say that everybody has a secret. For some it's a stolen extramarital kiss on a balmy evening after two or three glasses of wine. For others it's that girl, teased mercilessly about the shape of her nose or the whine in her voice until she has to move school. Some of us, though, keep secrets that make liars of our lives.'
Grace, her husband Paul and their twin teenage daughters have a seemingly idyllic life in a beautiful village on the Scottish coast. But there are undercurrents and lies in this peaceful setting. Grace has been keeing a secet for the last twenty years and a phone call from an old friend threatens to destroy her happiness and that of those closest to her. Grace's secret involves Rose - a girl who was nine years old when she died. A very promising debut that hooks you in. I didn't particularly feel close to any of the characters, and I couldn't warm to Grace, but I stayed up way past my bedtime to find out what happened to her, and to Rose. A well written, atmospheric and frosty psychological thriller.
DAVID'S REVENGE - Hans Werner Kettenbach
Published: 1994
Setting: Germany
Protagonist: Christian Kestner
Series?: Standalone
First Lines: 'Ninoshvili's letter has made me curiously uneasy. It's ridiculous, but I felt something like a presentiment of disaster at the mere sight of the dingy grey envelope when I came home today after teaching five tedious lessons and found it lying on the hall table.'
Christian Kestner - school-teacher, husband, father, and bit of a smug git - has his life thrown into a spin when David Ninoshvili announces in a letter that he will be arriving from Georgia for a visit. Christian visited Georgia seven years before, when it was under Soviet rule, and enjoyed Ninoshvili's hospitality. And he almost enjoyed Ninoshvili's wife. With increasingly caustic paranoia, Christian worries why David is coming - is he a Georgian spy? Does he have anything on Christian? Is he going to be seeking political asylum? Does he want revenge for Christian's almost dalliance with his wife? And when David arrives and starts to charm Christian's wife and son, Ralf(even more galling since Christian and his son have been growing apart due to Ralf's seeming involvement with a right wing group), Christian's worries increase ten-fold. Nationalism, espionage, racism, politics, morality, suspicion - huge themes, investigated within a prosaic middle-class setting.
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